Showing posts with label inspiration. Show all posts
Showing posts with label inspiration. Show all posts

Sunday, June 12, 2011

Lindy Takes Some Photos

Our youngest sister, Lindy, just graduated from the University of Utah with a BA in Gender Studies.  We think she's brilliant, but we might just be biased.  We asked her to write a post this week on some of her creative endeavors in the last year and she decided to showcase some of her photos from her Digital Photography class.  Enjoy! 




I took an Intro to Digital Photography course last semester because a friend of mine was teaching it and I thought it would just be a fun last course to take before I graduated. Well, I discovered that I actually enjoy taking photos! I was nervous about my skill level at first because a lot of people around me had professional SLR cameras that take beautiful pictures, and I just had a little Nikon. But, as the course continued my instructor told me that I was doing well and she was so happy that I was actually trying to compose photographs, and not just take snapshots like some students in the class. I realized that my anxiety over these photos was unwarranted. I knew the fundamentals of how to take a good picture and I did not need an expensive SLR camera to do it. I just had to jump in and take pictures and keep taking pictures until something works, so that’s what I did for each assignment, and it worked out pretty well.



Wednesday, June 1, 2011

Writing With Purpose: Why Do You Write?

If somebody asks you why you write, you’re supposed to say “why do you think I have a choice?” or something equally witty that conveys everything it means to be a writer while actually not saying anything at all. As I’ve mentioned before, you have a choice. You always have a choice, even if it feels like you wouldn’t be able to function if you didn’t get to write regularly. So take the time to ask yourself that question and leave off the automatic responses that removes your agency and autonomy.

Why do you write?

What’s your purpose?

Wednesday, May 25, 2011

A Golden Age for Women Writers?

"So, if we may prophesy, women in time to come will write fewer novels, but better novels; and not novels only, but poetry and criticism and history.  But in this, to be sure, one is looking ahead to that golden, that perhaps fabulous, age when women will have what has so long been denied them--leisure, and money, and a room to themselves" Virginia Woolf, "Women and Literature," 1929.

I am currently sitting in my own room (in Bloomsbury, I'd like to add), with the entire day ahead of me and devoted solely to writing.  It's true I borrowed money to be here, but it's all in my own name and it's government subsidized, and when I go back to the US in a couple of months I'll have a fellowship waiting for me.  No amount or degree of education has been out of my reach.  I am currently working on a project that unites literary criticism and history, and all of the major scholars in my field are women.  I just spent an afternoon with a  woman who is so dedicated and intelligent, and who has leisure time, her own space and her own money, that she will quickly rise to the top her field.  My sister and countless other women I know write for a living.

Monday, May 23, 2011

Writing With Fear

I think you have to be a little bit crazy to be a writer. Jasie, Lindy, and my husband Jaime have all told me at various times that they’d love to write something, but they’re afraid for some reason. Maybe they fear whatever they write will suck. Maybe they fear that they’ll only waste everybody’s time with the attempt. Maybe they fear whoever reads it will mock them. Maybe they don’t want to put too much of themselves on paper for anybody to read--and worse, anybody to understand. Maybe they don’t know how to begin, don’t know where it should start, don’t even know what their ultimate purpose is. They think I don’t understand their fears because I write all of the time. Every day. And when I’m done writing, I send it out to the world, either through publication or my private journal.

Thursday, May 19, 2011

"There's a Skirmish of Wit Between Them": A Review of Much Ado About Nothing with David Tennant and Catherine Tate


Last week I went and saw Hamlet, one of my favorite plays and one I have seen countless times, at the Globe in London.  As we were standing there in the yard I read in the program (over someone's shoulder) that the episode of Doctor Who where they meet Shakespeare was partially filmed there.  That was a little too much for me and I got a bit swoony.   Yes, that is precisely the kind of geek I am.   When a friend mentioned she had bought tickets to see David Tennant and Catherine Tate in Much Ado About Nothing I knew I would have to go.  I found a ticket, but it was £75.  That's about $115.  My hesitation didn't last very long and I bought the ticket for last night's performance at the Wyndham Theatre in the West End.  I might not be able to eat lunch for the next couple of weeks, but it was definitely worth it.  

Saturday, May 14, 2011

Travel Journal: A Canterbury Tale

Whan that Aprille, with hise shoures soote,
The droghte of March hath perced to the roote

And bathed every veyne in swich licour,

Of which vertu engendred is the flour;

Whan Zephirus eek with his swete breeth

Inspired hath in every holt and heeth

The tendre croppes, and the yonge sonne
  Hath in the Ram his halfe cours yronne,
  And smale foweles maken melodye,
  That slepen al the nyght with open eye-
  So priketh hem Nature in hir corages-

Thanne longen folk to goon on pilgrimages
  And palmeres for to seken straunge strondes

To ferne halwes, kowthe in sondry londes;
  And specially, from every shires ende

Of Engelond, to Caunturbury they wende,

The hooly blisful martir for the seke

That hem hath holpen, whan that they were seeke

Cathedral and St. Augustine Abbey ruins
If you don't know already, those are the first lines from Chaucer's The Canterbury Tales. I had to memorize these first lines in Middle English and recite them in a class I took on the 14th Century, and it was actually really fun. (If you've never heard anyone read these lines in the Middle English before, I've included the youtube video at the bottom of the page.) For the few of you who don't speak Middle English, here's the gist: Once spring comes along in April, and the weather starts getting really nice, people grow a little antsy and start thinking about leaving the house and going on a pilgrimage. A lot of those people, from all over England, head out to Canterbury to visit the cathedral where St. Thomas a Beckett was martyred. And there you have it.

Today I joined in that very long tradition of pilgrims to the shrine in the Canterbury Cathedral.  Just like Chaucer explains, once the weather turns nice and the warm breezes blow I get antsy and feel compelled to leave the city, enjoy the clean country air, and visit some cathedrals.  Today was the loveliest day I could have chosen for such a pilgrimage.  My journey was actually quite short. Since I took the fast train from London, it was only a 50 minute, rather comfortable and boring, pilgrimage.  There certainly wasn't enough time to tell any tales (and I was alone anyway), but I did enjoy the beautiful countryside.

Friday, April 15, 2011

Friday Five: British Comedy on Netflix Instant Watch


Hi everybody, I'm Lindy, the main minion for Arch Editing, and sometimes I have thoughts about things. I will be posting on Fridays from time to time when Haley and Jasie don't feel like writing a blog post. Today 
we'll be looking at the wonderful world of British sit coms and sketch comedy.

That Mitchell and Webb Look
I was watching this show a few days ago with Jasie because she had not seen the third series yet. I laughed at every joke and I have seen the third series at least five times. You may know David Mitchell and Robert Webb from Peep Show, which is one of the funniest sitcoms made in the last ten years. Their sketch comedy isn’t always as funny as Peep Show, but there are some true gems. Any sketch in which David yells at someone (especially the posh waiter and vicar sketches) are gold, Sir Digby Chicken Ceasar is a hilarious recurring sketch that never gets old, and Numberwang is delightful and insane.

Monday, March 28, 2011

Monday Inspiration

In case it's as gray and dreary where you are as it is in Utah today, I'm posting three quotes and three photos to help you get inspired for the week. And if you write something based on one of the prompts or the pictures, I'd love to see it!

Friday, March 18, 2011

Paradise Lost

Lindy and I are getting caught up on Supernatural since she's sick and home with me all day. She'll be getting her tonsils out in a week, and has spent the past week with a serious infection in her throat. So it seemed like a good time to get caught up on shows we've always meant to watch but never got around to. Today we watched the episode in S5 when they died and took a magical mystery tour through heaven. Naturally we asked the obvious question and swapped answers, concluding it would have to involve The Ranch and summertime. Where else would I want to be? What else would I want to experience? The memories of this place are growing foggier and foggier. They used to be vivid, within my grasp at any time. Playing, fighting, every day, the long summer nights, the brittle winter mornings. And now there are glimpses. No more than that, and there will never be anything that can ever bring it back.

What is The Ranch? Well, for starters, it wasn't a "ranch" by any stretch of the imagination. We weren't ranchers, we didn't have livestock (well no cows at any rate), we didn't work the land, or have a big ranch house. It was just a spread of 40 acres (eventually whittled down to 14) high in the Uinta Mountains, on the bench of a tiny valley about 20 miles east of Park City. It butted up against "the north hills" so we overlooked the entire valley. From our front porch, I saw the hints of every home and road, every field of alfalfa. In the summer, the sound from the local rodeo grounds carried up to our door, and on those still nights we listened to the running commentary. The Ranch didn't have a name, though I suppose it should have. And we lived on a road that didn't have a name. We referred to things like "the ditch" and "the draw" and shared a common language without proper titles.

No, that's not true.



Thursday, March 10, 2011

Humanities 101: How I Stopped Worrying and Learned to Love the Opera



For most of my life I've been trying to convince people how important the humanities are. I've been preaching that art is good for the soul, that it will bring you to a heightened sense of self awareness, world awareness, people awareness. Art can make you a better person. It will make you more creative and more sensitive to the world around you. I believed my professors when they told me this, and I hoped my students believed it when I taught it to them. But honestly? I don't know if I ever really felt it, and sometimes I wondered if I was straight up lying to them. I've always loved art; looking at it, thinking and talking about it, researching it, I've made art my whole life. And yet I always wondered why it never moved to me tears, why I felt an intellectual pull to it, but never an emotional one.
Well, I'm getting a bit more emotional in my old age, and I'm seeing a correlation to how I experience art. Part of me wonders if maybe all these years of trying to figure out why art moves people has taught me how to approach art, and it's finally all clicked in place. Somehow I doubt that. Somehow I think it's just evidence of a cold heart melting.

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You know what the strangest thing is? I crave art, and when I encounter it I let it take over me and it renews me, it really does. Last Friday I stood and stared at a Greek statue in the British Museum for 20 minutes, and then I left without looking at anything else because the beauty of that one piece just filled my soul. I'm beginning to think that all that stuff I fed my students that I suspected might be total malarkey wasn't, isn't. So for the past few weeks I've been craving the opera. If a Greek statue can move me to tears, then the opera might leave me in a puddle on the floor, which is just what I needed. A catharsis. I was talking to a friend on Sunday and one of us mentioned opera (forget who) and the other got excited and somehow we ended up at the Royal Albert Hall last night to see Madame Butterfly. It was just what the doctor ordered.

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I don't understand why or like how opera is perceived in our culture now. Opera was never really supposed to be "high" culture, well not Italian opera. Wagner pretty much changed it all. Wagner turned the lights down and made opera a serious aesthetic event. He really was the first one that insisted the lights be dimmed. Before that opera was a social event. All the lights would be up, people would be walking around and talking to their friends and hanging out. Of course the music, story and singing would rapture them at the right times, and they would burst into applause and shouts, "Bravo! Brava!" Old men would be crying and yelling and carrying on. You know why? Because opera is pure, raw, base emotion. It's not subtle by any means, and it's not particularly intellectual either. It grabs you by the chest and it pulls you out of your seat and makes you want to shout at the stage.

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Opera was popular. It wasn't high brow. Imagine if in 150 years from now people would be spending $200 to tickets to see Doctor Who or The Office shown on a 2D television set. Wagner operas, yes, that makes sense. They were written and designed to be shown in dimmed theaters and have elaborate stage design and virtuoso performers. They are the Gesamtkunstwerk, the total work of art. But Italian operas? I saw an Italian opera in Italy once and it was a completely different experience from the one I saw last night. There were old men shouting at the stage, people standing up at the intense moments because they just couldnt stay in their seats, and the performers were definitely not virtuosi. I wish opera could go back to that a little bit in the UK and America. I was really sad last night when I looked around and saw I was the only one giving a standing ovation.

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I apologize for the digression. Back to Madame Butterfly. The liberetto was in English, unfortunately. I do prefer supertitles and the original language. You can't understand anything anyway, so it might as well be in Italian, right? Despite that the performers were as astounding as expected. We were in the cheapest seats available and I was still moved by their actions and sound. The set was amazing; a Japanese water garden (in the round so it didn't matter that we were on the side and not the front). The only problem was that there was an annoying rail right in front of us, but the seats next to us were empty so we shifted over. I always told my students that the best way to enjoy an opera is to read a synopsis and listen to the music before going, so you're not wondering what the heck is going on with the plot (which isn't usually too complicated. Remember how opera is pure base emotion?) I'm going to have to rethink that advise. I didn't know anything about the opera, and I was definitely surprised on a few occasions, which seriously helped to heighten the emotional level of the performance. I gasped, I clapped with joy, I hung my head in disappointment. The Italian in me almost got me to my feet shouting a couple of times, but the repressed English in me won that battle. By the end I was reduced to a puddle of tears. The intensity of the music with the intensity of the emotion and the sadness of the story just took me over. When it was over I was to my feet, cheering. Unfortunately I was surrounded by repressed English and no one else stood. I wish I could have transfered that experience to the tiny opera house in Rome, and I would have felt completely at home. Well, I think I can say I get it now. I get why people love this stuff, and why I was trying to convince all my students to love this stuff. I wish opera didn't seem so inaccessible, especially when it can have such a strong pull on your emotions, and not on any particularly sophisticated emotions either. The story last night was simple, the themes were love, betrayal and humiliation, something we all can relate to. And yet somehow I felt totally renewed, totally alive, after being hit the face with this abundance of emotion. Oh dear, I think I may have just become addicted to opera.

Monday, March 7, 2011

I Can No Other Answer Make But Thanks And Thanks


The Kindness of Ramona Quimby by Haley

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This is a special post for us. So often there are people in your life who deserve all the credit in the world but may not even hear a thank you. Most of these people are teachers, and I know they may not necessarily expect the gratitude, but it's sure great to hear it. I understand that now that I've been teaching a few years. There's one person in particular who stands out for myself and Jasie. Somebody we discuss often. Somebody who I still think about when I'm feeling overwhelmed or insecure. Her patient eyes, her kind voice, her encouraging smile. She gave me confidence when I needed it. She was my second grade teacher, but I was fortunate because she was also my music teacher and a friend throughout elementary school--Irene Ruf.

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I have many memories of Irene since I've basically known her my entire life. When Jasie and I went to church by ourselves, she always invited us to sit with her. I even went to her house once in Kindergarten because of a playdate I had with her son--yes, I can remember a random playdate when I was six but I have a difficult time finding my shoes every day. Now I realize that it was always her approval I sought, her feedback and attention I coveted, and her encouragement that gave me the boost I always needed. If I ever got on her nerves because I was clingy and insecure, she never let on. Maybe in the end, that's what I appreciated about her the most.

But despite the myriad of memories and stories, there's one instant that stands out to me the most. One day, one moment, I can replay again and again with perfect sensory recall. I was in second grade, and it was probably October or November. Every month, we had to turn in a reading calendar, but I never did. In fact, even though I knew how to read quite well in the second grade, I don't recall reading in class, reading at home, or having any interest in the books available to me. But Mrs. Ruf took me to the school's library during recess. I know it wasn't a special class trip because I loved the library the most when it was empty, and I remember having that special thrill of being there by myself.

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She handed me a book and she asked me if I've ever heard of the Ramona Quimby cartoon. I hadn't. In fact, there were a number of things I had no awareness of. Jasie and I mainly inhabited our own little world. We lived on a lovely piece of property up in the hills, miles away from the nearest neighbor with very little social interaction. We didn't have friends or any sort of life outside of school. We had each other, and we had PBS, and that was about it. But I digress.

In all my life, I had never held a book so large as Ramona Quimby, Age 8. Mrs. Ruf said I should read it, and of course I believed every single thing she said. She said it was good, and I'd enjoy it, but those 108 pages were so daunting. I still remember looking at page 108 and thinking, "I could never read this much. Is she crazy?" Ms. A, the very hefty and friendly librarian, checked it out for me and reminded me that it was part of the Accelerated Reader program, and if I took a test, I could earn points to exchange for candy and pencils and other cool little prizes. I was seven years old, nothing seemed better than getting red hot jaw breakers for just reading a book!

It seems like such a small story, such an insignificant moment. But it wasn't insignificant to me. I finished reading Ramona Quimby, Age 8, and I loved it so much I immediately wanted to read all the other Ramona books. From there, it was the rest of the Beverly Cleary books, and then the entire world opened up. As much as it ever can for somebody in the second grade. I finished that year with 20 accelerated reader points, and I literally read everything I could. I didn't care if the books were age appropriate as long as they looked interesting. Out of all the kindness Irene showed me, out all of the things she taught me, and out of all the years I knew her, this is what I cherish the most. Because she didn't just give me a book to read, she set me on the path that culminated with an advanced degree and nearly 100 published books, not to mention our upcoming book Put the Body on the Slab: The Anatomy of College Writing.

So, Mrs. Ruf, thank you.


One Afternoon in the Library by Jasie

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Not unlike most people, my early teenage years were difficult, painful and awkward, and not something I like to think about too often. I grew up in a little town, and I was a little weird, and so after years of bullying by the time I was thirteen I had pulled myself away as much as possible from most social interaction.

As a result I spent a lot of time in the middle school's library before and after school and during lunch. The library was a haven for me, even though I didn't love reading books as much as I told everyone I did. The best part of the library was Mrs. Ruf. She let me stay there and read or do homework, and she talked to me. I had known her since I was a little girl; we went to the same church and she taught my older sister in school before she became the librarian. She was quiet spoken and kind, and even though I she didn't teach me, she taught me more about life in one conversation than I had ever known up to that point.
Growing up in a small, conservative, religious community I assumed I would do as my mother did, and her mother, and most of my neighbors, and do all I could to find a husband and start a family as soon as I graduated from high school. As a thirteen year old I hadn't really got to the point of thinking about college; I don't know if I was capable of thinking that far ahead, except for the little girl hope to get married and be a mommy as soon as I could. This all changed one afternoon in the library.


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I don't know why she decided she needed to tell me these things, and I can't remember the circumstances of conversation Mrs Ruf and I had that day in the library. The details of that afternoon are lost to me, but the words of the conversation are seared in my heart.

She told me that I didn't need to find someone to marry as soon as I graduated from high school, that I needed to go to college and get the best education I could. She told me that she hadn't been married until she was almost thirty, until after she had had experiences, after she had seen the world. She probably told me about some of those experiences, but I'm not sure. Everything surrounding those words, the concept that I had a future full of experiences outside of my little town, are a blur. I probably didn't show her the appreciation I felt for her words at the time, because the idea was so new, because I was confused and the words hadn't quite sunk in yet. "Ok, yeah, sure, thanks" was probably my response.


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I never stopped thinking about what she said. My life basically imploded not long after that afternoon in the library, and I was caught up in an inordinate amount of drama: boy drama, family drama, moving from the little town in Utah to a big scary city in California drama. Those teenage years were the hardest of my life, and yet, threaded throughout all of it was that idea, that little seed Irene Ruf planted in my heart that day in the library. That little idea grew and grew, and when I graduated from high school I left California and I pursued my now solid dream to go to school, to see the world, and to experience all I could while I was young.

Fourteen years after our conversation and nine years after high school, I'm living in London, working on an advanced research degree, and I have had the most awesome time being young. I do hope someday to have a family, but I know that all of the experiences I've had in the last ten years, learning and traveling and meeting remarkable people, will always be with me and have made me who I am today. I like who I am today, and I'm glad that I can thank Irene Ruf for the guidance and the kindness she showed an awkward, weird kid one afternoon in the library.