Writing Without Writing

Roman Wall, London

This week has been what I thought was an off-week.  I've not spent any time in the library, have done no research and hardly any writing, apart from my regular journal entries.  I have spent almost the entire week in some park in Bloomsbury: Russell Square, Gordon Square, Tavistock Square, St. George's Gardens.  I've been reading novels and listening to experimental music.  I've been musing, fretting, crying, and feeling the cool rain on my face.  I've walked through Kensington drenched in the rain, in fact, from head to toe.  I've walked through the City, leading a group of bored twenty-somethings along the ancient Roman London Wall.   I've spent hours sharing thoughts and ideas with my best friends, 4500 miles away. 

But I have accomplished nothing.

And right there, that's the lie, do you see it?

The truth is that I have accomplished a great deal this week.  I have seen and felt and thought. 

It's true I have a project due in a week and I haven't written a word, until today that is.  Today I've already typed 1000 words, and I'm still on a roll.  I was frustrated with myself all week long because I had nothing to show, no time researching, no time writing, and so no words.  I forgot that I had in fact been writing all week long. 

Critique Partners: Gift from Heaven or Necessary Evil?

Writing can be a lonely process but it doesn't have to be a solitary one. Every writer is a member of a larger community whether he or she wants to participate in said community. I haven't always been particularly gung-ho about jumping into the community of fellow authors because I'm a loner by nature--and most writers are. Writers also tend to be very, very controlling. When most of them learn about my partnership and collaboration with Vivien Dean, reactions tend to be a combination of shock and intrigue. Collaborating? On a book? How is that even possible?!

"I'd never be able to do that," they tell me. "I'd be too afraid of what they'd do." Or something along those lines. The subtext of fear at relinquishing control to somebody else is always present. I think that fear is also present when the subject of beta readers and critique partners comes up. I've noticed there's a strange dynamic at work, both sides wary of offending the other, the author trying not to take the feedback personally, the beta reader doing her best to phrase everything in a delicate, but positive manner.

5 Questions to Ask Before You Submit to an Agent

You've finished your novel, but that doesn't necessarily mean you're ready to face agents. Not quite anyway. Here are five important factors to consider before you start submitting your manuscript to an agent.

1. Do I have a hook?

Also known as the elevator pitch. Can you summarize your story into one sentence? Is it an interesting sentence? Is it so interesting that it would stand out among a pile of thousands of other queries? Your hook needs to clearly state the conflict and the stakes. A man is about to commit suicide when an angel shows him what his town would be like if he had never lived. What's the conflict? A man is so tortured (doesn't matter by what) that he wants to end his life. What are the stakes? A man's life and apparently the future of an entire town. Who are the characters? The man, the angel, and on the periphery, the entire town (they'd have to be otherwise who would care about what happened to them, right?).

2. Do I have a platform?  

It used to be that you would have to publish some short stories in respectable magazines or journals before you had a real shot at an agent. Nobody offers that advice anymore--because most of those magazines and journals are now defunct and even if they weren't, the book buying public sure doesn't read them. These days you need to have an online presence, you need to be able to reach thousands of people, and you need to prove that you're not going to fade into the night. Taking the time to keep up a blog and a decent webpage is a wise investment.

Wanna Be a Writer? 5 Things Every Writer Must Do to Succeed

Today my sister asked me an interesting question and I was at a loss to answer. How does one start writing fiction? I wrote my first story when I was four. It's one of my earliest memories, so I don't really remember starting. I knew the alphabet, I knew I wanted to tell a story, so I wrote a story. After that, I literally never stopped. So, how does one start writing fiction if one hasn't ever tried before? Clearly it's possible. Many, many successful and brilliant authors came to writing late in life. Probably they were successful and brilliant because they waited until they had something to say.

If you're feeling a little nervous or unsure about your future as a fiction author, below is a list of five things I've learned from a lifetime of writing that I feel are essential for success. Feel free to add to the list in the comments!

1. Read. A lot. Read some more. Read, read, read.

But don't read for pleasure and don't read like a lit student (and let's face it, you probably are a student of the humanities). Read like a writer. How does the author handle dialogue and action tags? Is it realistic? How does the author balance narrative style and characterization? How does the author handle pacing? Did the book begin in the right place? What's the rhythm of the language? Is the descriptive passages florid or tight? Where are the exposition dumps? When do the major plot points and plot twists happen? What works for this book? What passages do you wish were yours? Then read some more. Read across your genre, read across subgenres. Always read. Read, read, read.

2. Watch Movies.

Good movies or shitty movies, they're all helpful. Movies are essentially pure plot. They're all approximately the same length (90-120 minutes) and we all recognize the beats and rhythm of a narrative told in this way. Watch terrible movies with long unedited scenes, ridiculous dialogue, exposition dumps, plot holes, and offensive assumptions about people in general and the viewer in particular. Watch popular movies that everybody loves but aren't high art (the summer blockbusters, Lucas and Spielberg, etc). Watch foreign films, art films, independent films. Think about how they use plot and dialogue to move the story forward and keep you engaged.

The Right Beginning: Grab the Reader by the Throat, the Heart, or the Balls.

Avoid 5 Plotting Mistakes By Using Scenes is a brilliant post that you should go read right now. I'll wait, it won't take you long, and I'm declaring it required reading if you're a writer.

There. Read it? Good. It's great, right? It's simultaneously obvious (of course you don't want to be predictable!) but extremely informative and helpful. Do You Start One Story But Finish Another is my favorite section. It cuts through all the crap and gets to the heart of today's topic--beginning in the right place. Sometimes it's difficult to find the start of your story. Most likely, you're starting too soon (and if you're tacking on a prologue you're probably starting years and years too soon). It's critical to begin the story in the proper place for two reasons.  First, pacing. Somewhere in your mind, whether you're a pantser or a plotter, you have to be aware of the pacing of the story. Starting in the wrong place can throw off your pacing and ruin the rhythm of the entire story. The second reason is audience. You need to grab the reader by the throat, the heart, or the balls, and never let go. 

Writing With Purpose: Why Do You Write?

If somebody asks you why you write, you’re supposed to say “why do you think I have a choice?” or something equally witty that conveys everything it means to be a writer while actually not saying anything at all. As I’ve mentioned before, you have a choice. You always have a choice, even if it feels like you wouldn’t be able to function if you didn’t get to write regularly. So take the time to ask yourself that question and leave off the automatic responses that removes your agency and autonomy.

Why do you write?

What’s your purpose?

This is About Your WIP (you know the one I mean)

There’s a file on my hard drive called fivemurder. It was created in 2006. Three apartments ago and at least four computers. But this file hangs on, showing up in later permutations as Gone and GoneDraft2. Both of those were last modified about 15 months ago. Unlike other WIPS on my computer, I haven’t forgotten a single detail of this story. I still remember exactly where I was when the story first occurred to me, I still remember why I named the characters what I did, and how excited I was to write it, and even what I planned to write. Right now, it’s about 33,000 words. It’s been about 33,000 words since early 2007.

Writing With Fear

I think you have to be a little bit crazy to be a writer. Jasie, Lindy, and my husband Jaime have all told me at various times that they’d love to write something, but they’re afraid for some reason. Maybe they fear whatever they write will suck. Maybe they fear that they’ll only waste everybody’s time with the attempt. Maybe they fear whoever reads it will mock them. Maybe they don’t want to put too much of themselves on paper for anybody to read--and worse, anybody to understand. Maybe they don’t know how to begin, don’t know where it should start, don’t even know what their ultimate purpose is. They think I don’t understand their fears because I write all of the time. Every day. And when I’m done writing, I send it out to the world, either through publication or my private journal.

Finding Your Writing Process

It’s tricky blogging advice for writers. I never realized how tricky until I actually started keeping this blog and thinking about what I know and what I can share, and further realizing that what works well for me might be just that. Something that works well for me. Nothing drives this fear home more than thinking about the Writing Process (when I use caps like that imagine discordant chords on the piano).

What is the Writing Process? Do you have one? How do you find one? Is it working or is it hindering you? Should it be something natural or should you impose a structure onto the process? What’s the point of it? What’s the point of any of this?

A Bit (More) PEP To Get Over Writer's Block

Welcome to a new week! I know we're a little slow on the uptake, but that's Monday for ya. Here's a bit of PEP (that's Productivity Ego Procrastination) from Sam, our lovely guestblogger, to get your writing week started off right. 

Productivity

I tend to find that when I’m writing, no matter what it is, I start getting inspiration for other projects. This was a problem when trying to finish essays for class, but has proved to be quite helpful with my creative pieces. When I come to a block on one, I simply open a new document and write bits and chunks of something else to help get the ideas flowing again. There are two different ways that I do this; one is more character driven and the other is all about descriptions.

PEP Rally: Fleshing Out the Plot

It's time for another PEP Rally by our guestblogger Sam. That's Productivity Ego Procrastination, and it's three suggestions to help start your writing week off right.  Last week Sam posted a successful post about getting to know your characters through a character interview.  This week we're working on plot development! Have fun!

Productivity

This week for Productivity, it’s all about fleshing out your plotline, and it’s a bit of an arts and crafts moment, too. Grab an old binder, get a cheap one at the dollar store, or one of the single binder rings you can sometimes get at office supply stores. If none of those things are handy, a bit of string or old shoe lace will do just fine. Find yourself a nice stack of index cards (or cut a bunch of paper into uniform-ish rectangles) and punch a hole in the upper left corner of every one so that you can put them on the binder or piece of string like flashcards. Use these cards to write out the different plot points that you want to hit over the course of your story; just a few keywords to keep your ideas in line.

I like to treat these things as a sort of writing diary, keeping several blank cards by my bed and in my bag. They fold up pretty nicely for a pocket as well, just flatten them under a few of your most massive books. Don’t worry about not knowing exactly where you want to go, the binder ring allows you to add and remove things as you please. If you’re using string, do remember to tie with a bow instead of a knot! You might not find divine inspiration through this but it will put everything up in plain sight. Hopefully this new perspective of organization, moving away from a traditional outline in word, will smooth your way from beginning to middle and end.

Write Now!

We'd like to welcome as a guest blogger a good friend a great writer, Amanda Von Der Lohe.  Amanda is finishing up her MFA in Creative Writing at Hollins University in Virginia and teaches English and Drama in Draper, Utah.  She is currently working on a YA novel. 

So you want to be a writer and/or improve your writing skills. Excellent! You have come to this site looking for advice and I would love to pass on some of the best writing advice I have received. Here it is, plain and simple: If you want to be a writer...

Write!

Musicians compose, artists create, athletes train. Professionals become good at their craft because they practice. If you are serious about becoming a writer, writing has to be more than a “one day I’ll get around to it” thing. Start writing now.

POV Pros and Cons

POV, or point of view, is the perspective from a which a story is told.  Sometimes there's a specific narrator and sometimes the story is seen through many different eyes.  It is important to be aware of POV while self-editing , especially in order to watch out for inconsistencies, which often do slip in unnoticed.  Also, you may start by writing in first person only to discover that third person is  a more appropriate approach for the story.   Either way, it's helpful to consider and evaluate your options for POV.  Today we'll briefly examine each of the three major POVs and discuss their individual strengths and weaknesses.

Writing a Synopsis? The Information You Need Before You Begin

I'm now editing for Breathless Press and Silver Publishing and I couldn't be more thrilled. I've been following both presses for awhile now, researching possible submissions, and I'm excited to be a part of two very awesome companies. I'll be evaluating manuscripts as well, so I wanted to talk about what editors look for. What makes a perfect submission? It begins with a pretty damned good manuscript, but a kick ass query and a thorough but engaging synopsis doesn't hurt.

Nathan Bransford's How to Write a Synopsis is required reading, the thrust of which is Everyone has a different idea of what a synopsis should entail, how long it should be, whether it should be single- or double-spaced, whether it should include all of the plot or just the really important stuff... I mean, how I can even begin to summarize this and offer any advice is frankly beyond me.

PEP Rally: 50 Questions to Ask Your Characters

It's time for another PEP rally by our guestblogger Sam.  Just as a reminder, PEP stands for Productivity, Ego, and Procrastination, the three most important things to a writer after their computer or favorite pen. Even though the Rally was created to start a week off right, it can help combat the dreaded writers block any day of the week. These tips and activities will get you moving towards that word count in no time. Well, maybe not the last one, but who said you have to be all work?

Productivity

One of my most difficult challenges when writing is trying to get into the mindset of my characters. Would they really say this, do that, wear that hat? Sometimes I find that I can really get into their heads and understand everything about them down to the most finite of details for their existence. For example, I know exactly what one of my original characters is going to name all of her children and how far apart they are going to be born. But it’s taken me several years now to fully understand her in that way. Some of you might not have the luxury of not actually having to finish anything and are under more of a time crunch when it comes to learning things about the character you’ve created. Even though they are in your head, there are most likely several things that you don’t actually realize about them yet. 

Today’s productivity task is an interview to help you get a better grasp of your characterization.

Name and age?

Nickname? Who gave it?

What is most noticeable about your character’s appearance/physical presence? How does he or she feel about it?

Editing Your First Draft? Don't Forget Audience and Purpose!

Anne-Mhairi Simpson had an interesting post about what to expect from your first draft, and I wanted to comment on her experience. One paragraph in particular jumped out at me:

Now, if you’ve ever wondered about this, chances are you will have come across a huge amount of advice regarding the quality of your first draft and 99% of it will say exactly the same thing: that your first draft is 100% guaranteed to be a complete crock and you will need to do drastic re-writing and editing, including filling in numerous plot holes and wholesale murder of little darlings before you should even think about letting that beast see the light of day.

Perhaps it's irresponsible of me to say this, but some people don't need to tear apart their first draft in order to get to something good. Some authors will make a pass through to check for technical errors, and then call it good. Others will tweak and fiddle and agonize until they have something that's been revised so many times it bears absolutely no resemblance to the original.  Some people are never satisfied with their work, even if they started with something fantastic, and other writers will be pleased far too quickly by far too little. Editing too much can be just as detrimental to your novel as too little editing.

In an effort to smooth out the prose, fix all the grammar, remove passive voice, and expunge florid description, you may remove the very thing that makes the manuscript unique. When you "kill your darlings," don't kill yourself in the process. Your quirks contribute to your style, and sometimes a work is interesting for the reasons it "fails".

Different genres have different rules and expectations. When you edit your manuscript, consider what your audience wants to see, not simply what blogs call "good writing." As Anna-Mhairi discovered, what fails in one genre might be the strength in another genre. She went too far in one direction and lost the spark her readers loved up to that point. I think the primary lesson from her experience is to always let audience and purpose be your guide while editing. It's more important to find a style that works than it is to blindly follow writing advice.

Self-Publishing a Book to Snag an Agent? Not Likely.

A follower on twitter asked me to respond to a few different blog posts about self-publishing, querying agents, and “legacy” publishing. The Writer’s Digest article Life After Self-Publishing addresses the possibility of finding an agent for a self-published book, and it's…well, naïve pap. Sorry, but it is. If you’re self-publishing a book because you think it’s a great first step towards New York and traditional publishing success, you’re going to be in for a very rude surprise.

Publishing is a very, very conservative business. You know when agents say they only represent books they love and editors encourage people to write great books to get published? Sure, you can do that, but what they’re really saying is “Write a book I can sell.”

It’s challenging for a self-published book to move on to mainstream success. That’s why, for some authors, acquiring a literary agent to represent the book is often considered the next logical step.

That’s not true. An agent doesn’t want your self-published book. Not even a little bit. There are a few quotes from agents in the articles that indicate otherwise, but I’ve never seen anything to convince me that’s actually the case. Agent sell the first rights to publishers, and if you’ve already published your book anywhere in the world, they can’t sell those rights. The Writer’s Digest article never mentions that very fundamental point, and in many cases, it's a deal breaker.

Setting Writing Goals and Planning for Success

As I mentioned yesterday, I've recently decided to expand a paper into a book.  It will be a non-fiction cultural analysis of the myth surrounding the band Joy Division and their enduring impact on contemporary popular culture, thirty years after their lead singer Ian Curtis committed suicide.  The paper I wrote is 4000 words and provides me with an expandable introduction and a rough outline of how I want the book to fall into place.  Now, all I have to do is write it.  Then revise it.  Then revise it again.  And while it is not the thing that concerns me the most at this point, I'd also like to have it published. 

This is all new to me, and I'm learning a lot as I go.  Haley, who has been publishing for the last 6 years has a bit more experience and is helping me along the way, and she's told me that I need to set writing goals if I want to have a finished product within my lifetime. I've taken her advice and done some research and am now ready to set those goals.  Here's what I've learned and what I plan on doing. 

Setting Writing Goals: What's the Point?

I recently wrote a paper for one of my PhD classes about a favorite band, Joy Division.  The research was fascinating, and the topic was one I'd been thinking of writing about for years now, but had never had the opportunity.  I didn't want to stop researching or writing, and I felt that the final paper was more of an outline for a book than a self contained essay.  So, with Haley's encouragement, I've decided to expand it and turn it into a book. 

I'm not really intimidated by the thought of writing a book, but I think it's because I'm naïve and have never written anything longer than a master's thesis.  I mean, how hard can it be? Isn't it just like writing ten 20 page papers?  Haley informs me that no, it's not like that.   She also told me that I needed to start setting writing goals if I wanted to actually start writing the book, let alone finish it.   But, why would I need writing goals, I asked her, can't I just write when I feel like writing, when I have some spare time?  She laughed at me.

Another Author's "Big Mistake"

Last week in a post about self-doubt, I mentioned The Author's Big Mistake. In case you missed it, The Author's Big Mistake is basically responding to a review. In a situation where an author shows up at a review blog to defend him/herself or the book, the readers never, ever walk away with a good impression of the author. Authors never sound like fully rational human being when they discuss their own work, because...well, they're not fully rational human beings. It's especially difficult to remember that reviewers can only review the book they read, not the book you wrote.